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Daniela Rossell
1973, Mexico City. Lives and works in Mexico City |
| Rossell’s photographs draw equally from the
traditions of society
portraiture and sociological documentary. Set in the living rooms,
parlor, and boudoirs of Mexico City’s upper clases, the images
typically focus on women surrounded by their material possessions
and artifiacts of taste.
The photographs depict social aspiration through cultural acquisition.
Selected solo exhibitions: 2002: Greene Naftali,
New York; 2001: Alberto Peola, Turin; Kevin Bruk, Miami; 2000: Greene
Naftali, New York.
Selected group exhibitions: 2002: Mexico City: An
Exhibition about the Exchange Rates of Bodles and Value, P.S.1, New
York; Axis Mexico, Museum of Art, San Diego; Sublime Artificial, La
Chapella, Barcelona; 2000: Policies of Difference, Pinacoteca do Estrado,
Sao Paolo/ Museo de Bellas Artes, Buenos Aires/ Museo de Arte Moderno,
Mexico City; America Photo Latina, Museo de las Ares, Guadalajara,
Mexico; Superpredators, CRP, New York; I Saw Stars, Momenta Art, New
York; 1999: Lontano da dove?, Alberto Peola, Turin; Place and Diversity,
City College, New York; 1998: Situationism, OMR, Mexico City; Trash,
Greene Naftali, New York. |
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The World Blondes Have More Money (Jeanette in Her
Mother’s House), 2002.
C-Prints, ed.5, 76 x 102 cm. Courtesy Greene Naftali, New York. |
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