Freeman examines a variety of ideas and emotions surrounding
contemporary architectural systems.
The works focuses on such topics as architecture and theatrical
experience, where every part of living, (air, light, sound, food etc.) is
tailored to the desires of the inhabitants, the voyeuristic/ exhibitionistic relationships that exist within such a community and the play between the psychic states of fear and safety.
Instead of using a documentary style to define this environment, Freeman employs the luscious cinematic techniques of fantasy, such as theatrical lighting, staged dramatic situations and a constant stream of popular music.


Selected solo exhibitions: 2003: Andrew Kreps, New York; Public Art Fund, New York; 2001: Edward Mitterand, Geneva; 2000: Andrew Kreps, New York; 1998: Andrew Kreps, New York.

Selected group exhibitions: 2003: The Bedroom Show, John Connelly Presents, New York; Altered spaces: Video Art and the Physical World, Cheekwood Museum, Nashville; 2002: Staged/unstaged, Riva, New York; Illuminations, Marvelli, New York; Abstract Redux, Danese, New York; State of the Gallery, Andrew Kreps, New York; 2001: Tirana Biennale I; Work, Folin/ Riva, New York; After the diagram, White Box, New York; 2000: Greater New York, P.S.1, New York; Drawing and Photographs, Matthew Marks, New York; Long Days, Longer Nights, Galapagos Art and Performance Space, New York; Nothing, Andrew Kreps, New York; 1999: A room with a view, Sixth@Prince Fine Art, New York.