The Bodysnatcher shows a close up of a German policeman.
The videocamera moves back and forth, increasing the strong tension we can perceive in his expression. We don’t know where, why and how this action takes place. This climax is broken by a roar that, just for a glimpse, gives shape to a distress suspended till that moment.
Danger is everywhere, and a permanent alert is not enough to prevent it, but, at the same time, fear feelings could be lethal tools to create a state of easily exploitable paranoia.
— Gyonata Bonvicini


Selected solo exhibitions: 2003: Play, Berlin; 2002: The Flat, Milan;
2000: Placentia Arte, Piacenza, Italy.
Group exhibitions and film video festivals: 2003: Stuttgarter Filmwinter, Stuttgart; Transmediale 2003, Berlin; 2002: Filmfest München, Munich; Filmfest, Weiterstadt, German; Gegen:nacht, Pathos Transporttheater, Munich; Kansk-Video Festival, Kansk, Russia; Ex-ground, Wiesbaden, Germany; Prison-screening, Prison, Marseille; 1st International Video Art Biennial, Tel Aviv; (d)vision- Festival for Digital Culture, Vienna; Infernale 2002, Berlin; Expo3000 presents videoart, Berlin; Generator, Turin; 2001: 9th International Media Art Biennial WRO 01, Wroclav, Poland; Infernale, Berlin; Circles Of Confusion, Berlin; Macht der Gewohnheit, Kunsthalle Exnergasse, Vienna; Videofestival, Turin; 2000: Videonale 2000, Berlin.