The audience does not abstract consumers of contemporary art, but of distinct people leading particular lifestyles, buying quite specific things, settling personal affairs not connected with art in any way. If you exhibit in a gallery, then these people will initially be the gallery owners, curators, and critics. If you enact a scandalous street performance, then they will be
journalists, police, bystanders, and perhaps everyone else. The selected form of representation can be judged to be successful only if you are able to include these specific people, with their particular perception, in the structure of your own expression.
— Radek Community


Maxim Karakulov (1977), David Ter-Oganian (1981), Pavel Mikitenko (1977), Petr Bystrov (1981), Valery Chtak (1983), Alexander Korneev (1980), Alexey Buldakov (1980), Andrei Serguienko (1977), Vladis Shapovalov (1981).

Selected group exhibitions: 2002: Manifesta 4, Frankfurt; Well, its… ACCORD!!!, Postfuhramt, Berlin; Made in France, Andrey Sakharov Museum, Moscow; 100% of vision, Regina, Moscow; Invisible Aspects of Nonspectacularity, Zverev Center of Contemporary Art, Moscow; 2000: The Chairer Movement, street performance, Moscow.